Doing so will allow you to separate all of the events into two columns: rising action and falling action. Identifying the climax or turning point is the first thing that you should do when identifying the structure of a story. If the story is tragic, the main character's situation may begin to deteriorate. If the story is comedic, the main character's situation will begin to improve. The main character may change, learn a lesson, or meet an important person, and this change will prepare the main character to resolve the conflict in the story. Rather, the climax is the moment in the story when the momentum or feeling of the narrative shifts. It is a common misconception that the climax is the most exciting part of a story, but this is not always the case. The climax is the turning point of the story. If the story is tragic, the rising action is often a series of favorable circumstances for the main character however, at the climax the momentum of the story changes. If the story is comedic, the rising action is often a serious of unfortunate events for the main character. During the rising action, the main character or protagonist of the story may struggle with the conflict but be unable to resolve it. Rising ActionĪny event that occurs after the exposition but before the climax or turning point of the story is called rising action. This moment is called the inciting incident. When the conflict enters the narrative, the exposition ends and the rising action begins. A story isn't much of a story if it doesn't have a conflict it's more of a rambling, so most stories have a conflict. This is the moment when the conflict is introduced. The inciting incident ends the exposition. The exposition ends when the conflict or problem is introduced. In the exposition, readers are introduced to the setting (time and place of the story) and some or all of the characters. The exposition "exposes" readers to the world of the story. This page explains conventional story structure. Though not every story follows a predictable pattern, most do. When readers analyze the structure of a story, they look at the story as a mechanic might look at a car engine: readers identify the parts and see how they are working. These structures shape both the audiences' expectations and how the author will tell the story. The way that these parts are arranged creates the structure of the story.
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